Observations

It is a reinvented abstraction that begins with an understanding of the postmodern image world, an abstraction based on our immersion in image-based reality; yet it is also an abstraction that is resistant to the narrative ease of this image world and is resolute in creating a pictorial space within painting where images remain malleable and formative, open to the human engagement that shapes meaning as a negotiation of fact and sensibility rather than as a transaction of recognitions and readymade content (Canadian Art Magazine, 2008).